Emotion & Commotion/Jeff Beck

You might mistake Jeff Beck's on-again, off-again appearances on record as signalling disinterest in the music business. More likely, his periodic blasts of creativity -- punctuated by long (or semi-long) pauses away from recording -- indicate how much Beck is a perfectionist. His early fire-breathing guitar work helped shape hard rock.

For his first studio album in seven years, Grammy-winning guitarist Jeff Beck returns with an eclectic mix of tracks that find the guitar virtuoso accompanied by a handpicked cast of talented musicians, as well as several songs accompanied by a 64-piece orchestra. Rhino unleashes the Rock and Roll Hall of Famer s restless genius with EMOTION & COMMOTION.
Beck recorded EMOTION & COMMOTION late last year at Sarm Studios in London with award-winning producers Steve Lipson and Trevor Horn. To create the album s diverse sound, Beck used a number of musicians, including appearances by frequent collaborators Vinnie Colaiuta (drums), Jason Rebello (keyboards), and Tal Wilkenfeld (bass). The album also includes contributions from a trio of singers: Imelda May ('Lilac Wine'), Olivia Safe ('Elegy For Dunkirk'), and Grammy-winner Joss Stone ('I Put A Spell On You' and 'There s No Other Me').
To complement the innovative tones he coaxes from his guitar, Beck recorded with a 64-piece orchestra on songs that range from Puccini s immortal aria 'Nessun Dorma' and Elegy For Dunkirk from the film Atonement to 'Somewhere Over The Rainbow' from The Wizard Of Oz and Jeff Buckley s interpretation of 'Corpus Christi Carol.

Beck says the idea of pairing his guitar with an orchestra evolved from the version of Gustav Mahler s Symphony No. 5 he recorded a few years ago. 'It turned out amazingly well, but I didn t want to commit to an entire album of classical music. What appealed to me instead was the idea of bringing together these seemingly contradictory sounds on different kinds of nonclassical music.'
In addition to the orchestral pieces, EMOTION & COMMOTION showcases a number of original compositions. For 'Hammerhead,' Beck fires the rocker s opening salvo through his wah-wah pedal before falling into a deep groove carved out by the rhythm section and horn arrangement. At the opposite end of the sonic spectrum, the airy arrangement that elevates 'Never Alone' provides a wide-angle soundscape for Beck s imagination to freely explore the high-flying melody.

Before launching a world tour to support EMOTION & COMMOTION, Beck will unite with Eric Clapton in February for a series of exclusive shows in London, New York City, Toronto, and Montreal. The guitarists both former members of the Yardbirds will play separately before taking the stage to perform together.
After the shows with Clapton, Beck will play South Korea, Hong Kong, Australia, and Japan before returning to America for the U.S. leg of the tour starting mid-April and including an appearance at the New Orleans Jazz Festival on May 1.
For Beck, the new album and tour follows in the wake of a triumphant 2009 his most successful year ever. Among the many highlights were a sold-out world tour; his second induction into the Rock and Roll Hall of Fame; the release of the platinum-selling Performing This Week... Live At Ronnie Scott s, which earned a Grammy nomination for 'A Day In The Life'; and magnificent performances with his band at the 25th Anniversary Concert of the Rock and Roll Hall of Fame at Madison Square Garden.

Have One on Me/Joanna Newsom

25-year old Californian harpist Joanna Newsom is an artist that sharply divides opinion between those who love her music, and those who cannot stand it. As well as providing harp accompaniment for bands and projects of other artists, she has released two full albums (and one EP) under her own name.

After a couple of self-produced and distributed EPs, Newsom signed to Drag City

Joanna Newsom fans: don t look now, but Joanna s about to let her hair down--and that s a considerable task these days. Of course, to the demure Mme. Newsom, this 125 minutes-worth of songs is nothing more than a new album. Through the course of Have One On Mes eighteen songs, Joanna visits upon us ditties, weepies, court dances, rump-bumpers, epics and moments of wraparound fantasia. Have One On Me - ah, have three, they're small!

Another Round/Jaheim

A multi-talented artist, Jaheim is most famous for his R&B vocals, although he has also rapped, modeled, and acted, and appeared in Source and other hip-hop publications. Hip-hop balladeer Jaheim Hoagland hails from New Brunswick, NJ, where he grew up in the 176 Memorial Parkway Homes public housing project. Misfortune hit early: his father died in 1981, when he was only two years old.

With his smooth, sonorous tone, Jaheim is the forerunner and torch-carrier of today's soul-originated R&B. A vocalist in the tradition of such greats as Teddy Pendergrass and Luther Vandross, he signed with former Naughty By Nature beat man Kay Gee's Divine Mill record label in 2000. Jaheim released three albums over five years: his 2001 debut, Ghetto Love; 2002's sophomore set, Still Ghetto - both of which reached RIAA platinum status; and 2006's Ghetto Classics. During that time, he also scored nominations for the BET and Soul Train Music Awards. In 2007, the chart-topping artist returned with his Atlantic Records debut, The Makings of a Man. After taking time off following the release of Ghetto Classics, Jaheim returned with a renewed focus on the direction in which he wants to take his career.

Monkey Business/Black Eyed Peas

The Black Eyed Peas are a LA-based group, formed by Will.i.am and Apl.de.ap, who achieved worldwide fame when they moved away from their early hip-hop sound towards commercial pop with 2003's Elephunk.

The pair originally got together in 1988 as the Atban Klann, playing the LA club circuit, but took the name Black Eyed Peas in 1995 as their music was ‘food for the soul’. The band had moderate… Read more in Amazon's Black Eyed Peas Store

As with their last hit, Elephunk, Black Eyed Peas' new disc Monkey Business is a joyful cross-genre journey with musical props to hip-hop, rock, folk, funk, and pop. The reason the Black Eyed Peas have audience appeal that crosses over many styles is because the band members are such obvious fans of diverse music. Nowhere is this more apparent than on Monkey Business’s high-profile guest list. After Justin Timberlake’s contribution to the massive "Where Is the Love" breakout hit from Elephunk, their inclusion of big names once again was a smart, respectful move on the part of the band as well as their guests. "My Style" is Timberlake’s BEP foray number two; while the song is funky pop fun, those looking to hear Justin in the forefront are likely to be disappointed, as his vocals are mixed evenly, no sweet soulful solos this time. Other guests of note are Jack Johnson, who cowrote the bling-bashing "Gone Going," Sting on "Union" (sonically inspired by the former Police-man’s "Englishman in New York"), while funk legend James Brown contributes to a scorching soul track dubbed "They Don’t Want Music." The contribution of female vocalist Fergie--who joined the band partway through their last CD--has raised up considerably on the band’s fourth disc, their second as a quartet. Sassily fronting her way through songs like "My Humps," the "Hey Mama"-esque "Dum Diddly" and the first single "Don’t Phunk With My Heart," Fergie’s melodic contributions make for a record that will likely be heard by wider audiences than ever, making this a truly
accessible ‘hip-pop’ CD. --Denise Sheppard

Only by the Night/Kings of Leon

Kings of Leon return with the release of their highly anticipated fourth album 'Only By The Night' on 22nd September through Columbia Records. 'Only By The Night' is a bold and expansive sonic statement that looks set to solidify Kings of Leon's position as one of the most important international acts of 2008 and beyond. It follows rapidly in the footsteps of the bands previous albums 'Youth And Young Manhood', 'Aha Shake Heartbreak' & 'Because Of The Times', which have quickly established them as one of the most prolific and acclaimed acts around.

Despite a wave of criticism asserting that Kings of Leon's fourth full-length is "too commercial," Only by the Night may be the closest thing to a pitch-perfect album to drop in 2008. Granted, Tennessee's band of brothers (and one first cousin) takes a turn for the heavily polished here, but what the album lacks in rough-edged raunch, it more than makes up for in earnestness and--yes--stunning beauty. From the opening notes of "Closer" to the listing balladry of "Cold Desert," Only by the Night hardly misses a beat. Highlights abound, particularly in the trading off of melodic lines between instruments, and in this regard, bassist Jared Followill is the album's quiet MVP. Above these gorgeous instrumentals, singer Caleb emotes with a dramatic grit that never loses its command. A model of melodic rock composition, arranged and produced with a warm, inviting veneer, and performed with aching sincerity, these 11 tracks coalesce into a sanguine whole that eclipses the band's much-discussed rock posturing and yields more with every play. A good band's great album, Only by the Night (finally) establishes Kings of Leon as a rock act that's worthy of seriously sustained attention. --Jason Kirk

Them Crooked Vultures

THEM CROOKED VULTURES -- a/k/a DAVE GROHL (Foo Fighters, Nirvana), JOSHUA HOMME (Queens of the Stone Age) and JOHN PAUL JONES (Led Zeppelin) -- has confirmed November 17, 2009 as the release date of its eponymous debut album in the United States and Canada on DGC/Interscope Records.
The self-produced 13-song record will feature the debut of the studio versions of the material Them Crooked Vultures unveiled at its August 9 debut at Chicago's Cabaret Metro and played on a first series of shows throughout a handful of UK and European cities and portions of the eastern U.S., wrapping up with an October 15 appearance at New York's Roseland Ballroom.

Additional shows are being announced in the wake of the album's release.