Cecilia Bartoli: Sacrificium

"The age of the castratos was one of the most dazzling and remarkable in European music history. Seldom has there ever been such a complete fusion of sensuousness and splendor, form and content, poetry and music, and, above all, such a perfection of vocal virtuosity, as was achieved in the glory days of the Baroque era. The legendary art of the castratos continues to exert its fascination even today, and despite the great human sacrifice it exacted, a new assessment of this extraordinary period is surely justified." - Cecilia Bartoli

Cecilia Bartoli uncovers the extraordinary and cruel world of the `Castrati' and sings the glorious music they inspired. The all-new album consists almost entirely of world-premiere recordings of some of the most virtuosic music ever written for the human voice. The arias on the album are drawn from the works of Nicola Porpora (1686-1768), Antonio Caldara (c. 1670-1736), Francesco Araia (1709-1770), Carl Heinrich Graun (c. 1703-1759), Leonardo Leo (1694-1744), Leonardo Vinci (1696-1730), Riccardo Brosc hi (c. 1658-1756) and Geminiano Giacomello (c. 1692- 1740).

After extensive research Bartoli has produced not only a new recording, but also a comprehensive study of the castrati and their time period through two lavishly produced and illustrated articles included in the deluxe package.

Sacrificium marks the first collaboration of Il Giardino Armonico, Giovanni Antonini, and Bartoli since their Grammy® Award-winning The Vivaldi Album ten years ago. This deluxe package is a hardback book (12 x 14 cm) including 2 CDs of music including 11 world-premiere recordings. The extensive booklet includes two essays on the castrati: "Evviva il coltellino!" ("Long live the the little knife") & "Castrato Compendium" (a 108-page "A-Z" of the castrati). The entire project features lavish illustrations and photos throughout along with an additional 44-page libretto.

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Wolfgang Amadeus Phoenix/Phoenix

From the French Electro-Rockers. Born out of restlessness and a steady hunt for inspiration, Wolfgang Amadeus Phoenix is a career-defining album filled with the band's signature melding of synthetics and organics, sharp, danceable rhythms, infectious choruses with a considerable dose of aural panache and candy-colored pop sensibilities.

So here we are with their fourth album, a gleaming culmination of all their previous efforts. WAP has deep, undeniable rock roots yet equally incorporates luscious synth and keyboard, thanks to the skillful Philippe Zdar (of Cassius fame), who produced WAP as well as United. You can particularly hear Zdar's influence on the nearly-danceable tracks "1901" and "Girlfriend," which are also the first two radio releases.

The guitars are piquing, the keyboards lush and full, the drum kits ablaze; this continues for the album's entirety. The lyrics are -- in Phoenix's trademark way -- nonsensical at times, yet interspersed with luminous moments of double entendre. For those looking for thematic cohesion, you won't be disappointed: WAP contains some obvious historical references, including "Lisztomania," "Rome," and "Armistice," not to mention the name of the album itself.

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Oral Fixation Vol. 2/Shakira

The English-language Oral Fixation Vol. 2 finds Shakira reclaiming some of the bite she showcased on 1998's smashing Donde Estan Los Ladrones? The Colombian rock goddess is making up for lost time: this is her second disc of new material in 2005.

It's quite a feat, considering the four-year gap since Laundry Service, her scattershot, English-language debut album. Oral Fixation Vol. 2 is more mature and better focused than the spin-cycle pop of that 2001 disc. Kick-off track "How Do You Do" starts with a haunting reading of "The Lord's Prayer" before launching into a risky questioning of faith and religion. Shakira touches on the highs and lows of celebrity on a trio of tracks--the bittersweet "Your Embrace," the guitar-driven "Costume Makes the Clown," and the disco-fied, politically charged "Timor."

Selfish men and failed relationships--two oft-mentioned topics of interest--anchor much of Oral Fixation Vol. 2. First single "Don't Bother" is a bitter ode to strength, jealousy, and survival; "Dreams for Plans" is a wistful collage of relationship memories; and Carlos Santana slides a sexy guitar riff under soulful standout track "Illegal."

The purple haze of Prince hangs over "Animal City," one of the disc's most inventive moments. It's a free-wheeling melange of rock riffs, electronic accents, mariachi horns and confident vocals. Two songs from Fijacion Oral Vol. 1 make appearances--the somber "Something" and "The Day and the Time," which improves greatly upon its Spanish counterpart. Vol. 1, while at times enjoyable, was a portrait of a gifted artist struggling to keep her footing and retain her confidence. Oral Fixation Vol. 2 finds Shakira embracing the eclectic beauty within. It's a wonderful sound. --Joey Guerra

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